In the circle of modern issues and subjects, in comprehending which it is especially important for cinematography to move beyond the already conquered frontiers, the production theme still stands out. The theme, which received a new, truly artistic form in the mid-seventies. First of all, due to the fact that the root issues of communist morality were at its epicenter. It seems that the key to development here is not only in fixing new production situations that have not yet been marked on the screen. The very type of NTR hero is becoming different today, and the level of his worries is higher. Now, to a greater extent than in the days of Gubanov and Cheshkov, there are connections between a business achievement or decision and the "train" of not only economic, but also moral consequences.


Perhaps this is the most difficult and urgent thing — to find a point in the host of visible coordinates of our reality from which a person will be seen in a new way, living, working, rejoicing, thinking — changing in the midst of this reality. It can be argued that there are artistic "angles of view" that are the most promising for art at one time or another. Let us recall how, not by chance, not suddenly, reflections and ideas about the modern hero were "focused" on our screen, either in the events of the Great Patriotic War, or in the everyday life of the first socialist construction sites, or in the suffering of the post-war village.


In this regard, the view of the playwright V. Chernykh on the existence of our contemporary seems to be insightful and still capable of revealing a lot. This explains the extraordinary success of the film "Moscow does not believe in tears," directed by V. Menshov. Success, measured by the interest of millions of viewers in the film and the heat of controversy it causes. Some of my colleagues and some of the audience reproach the authors for the ease with which, in their opinion, the characters step from their own today into tomorrow, "jumping" over difficulties. worries, questions. Deflecting or mitigating such a reproach, one could refer to the laws of the genre and the like. Not worth it. It is better to explain the substance. Yes, the characters in the movie (not all of them!) By the end, they achieve not only worldly stability, but also a special victorious worldview. Yes, the ethical and aesthetic dominant of the film is optimism. That's what it was said at one of the audience discussions: "A film that leaves hope." Hope is the need of a strong person. The film "Moscow does not believe in tears" does not just interact with the viewer's mind. Inspiring hope, he reminds of the difficulties and contradictions of life. About the complexities and contradictions born of the gigantic social and demographic shifts accompanying the construction of a new society. The authors of the film consider human fate from the point where the perspective opens. They are interested in a hero who believes in his tomorrow today. And that's why people listen to the voice of hope expressed by the film with such attention and gratitude. Everyone wants to find the 1xbet promo code available. Currently, the best code is the one that unlocks the standard welcome bonus: a 100% deposit match up to $130. This offer is arguably the best because it doubles your starting capital, giving you the most flexibility and potential from your first transaction on the site.